Originally designed for Hollywood’s elite colorists, DaVinci Resolve has been used on more feature films and TV shows than anything else because it lets you create images that are simply impossible with other tools. DaVinci is also the world’s fastest growing and most advanced editing software! Now, with DaVinci Resolve 14, you get incredible new Fairlight audio tools specifically designed for film and television post production. Fully built in Fusion visual effects and motion graphics, incredible new Fairlight audio tools and nearly a hundred enhancements focussed on speed and quality! DaVinci Resolve 15 now has full Fusion visual effects and motion graphics built in! The Fusion page gives you a complete 3D workspace with over 250 tools for compositing, vector paint, keying, rotoscoping, text animation, tracking, stabilization, particles and more. With new Apple Metal and CUDA GPU processing, the Fusion page is faster than ever! Fairlight audio gets a massive upgrade with new ADR tools, audio normalization, 3D panners, audio and video scrollers, a sound library database, and built in cross platform plug-ins such as reverb, hum removal, vocal channel and de-esser. There are also dozens of new features and improvements that editors and colorists have asked for. These include a new LUT browser, shared grades, multiple playheads, Super Scale HD to 8K up-rezzing, stacked timelines, on-screen annotations, subtitle and closed captioning tools, better keyboard customization, new title templates and much more! Key features: Added support for preset library for equalizer, dynamics, plugins and global track properties in the Fairlight page Added support for performing an insert operation by holding Cmd/Ctrl+Shift while dragging clips from the media pool or source viewer Added support for an option to insert nested and compound clips in their decomposed state during edit operations Added support for creating clip annotations for a selected clip on the timeline from the timeline viewer Added support for processing Fusion compositions in linear gamma in color managed and ACES workflows Added support for changing clip color from the thumbnail context menu on the Color page Added support for changing clip color from the application menu on the Media, Edit and Color pages Added support for showing the bin name in the title bar of a floating Media Pool bin Added support for configuring the Fusion memory cache in the playback menu Added support for modifying the filename field in the Deliver page Added support for setting timeline colorspace in the Fusion viewer display Added support for exporting subtitles from timeline track context menus and the File menu Added support for accessing the console dialog from all pages from the Workspace menu Added support for importing marker colors and duration markers on clips when importing media using FCP7 XML files Added support for storing the alpha channel when caching to Uncompressed 10-bit float formats Added initial support for temporal OpenFX plugins on the Fusion page Improved codec and format listing in the Deliver page Updated smart render cache settings to no longer cache H.264 clips automatically Issues Addressed: Media: Addressed an issue where blanking would not be rendered correctly when delivering to H.264 Addressed an issue where previewing certain TIFF files would cause a crash Addressed issues with decoding R3D clips on the GPU when in Metal mode Addressed an issue where media pool metadata fields for Take and Scene could sometimes not be edited on clips with linked audio Addressed issues with stereo 3D renders when left and right eye clips were swapped Download Links:- Code: You need to login or register to view this content. Mirror :- Code: You need to login or register to view this content. Mirror :- Code: You need to login or register to view this content.